Fernando Meirelles fala uma pouco sobre a câmera RED para quem não conhece. Voltada para cinema, a RED seria uma revolução para a fotografia ou teria um público específico?
Algumas imgens produzidas pela RED:
A combination of 4K resolution, fluid compatibility, and RAW flexibility has made the RED ONE a favorite for 3D features and events. High-resolution RAW files let you correct zoom disparities and adjust convergence without corroding the quality of your image. With the ability to preview, export, and adjust HIT/VIT for 3D images within REDCINE-X PRO, your 3D workflow just got easier.
A robust 4K sensor with over 13 stops of dynamic range has distinguished the RED ONE as an ideal counterpart to 35mm film. With over 5x the detail of HD, the RED ONE has antiquated what was once cutting-edge, setting technical benchmarks and establishing new standards in digital cinema. High-resolution RAW files provide editors, colorists, and VFX artists with a large, flexible palette – making it easier to composite, grade, and finish for theatrical distribution. Seamless scaleability allows the RED ONE to transition into HD, 2K, or 4K workflows without ever losing its initial quality.